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The exhibition “No Entry,” comprised of new productions by Can Küçük and Cem Örgen, forms a threshold within the network of production that İMALAT-HANE witnesses through its location. The “No Entry” sign that sharpens the focus, legible by all, distinguishing the boundary between peoples and spaces, is matched with the mechanic, biologic, social, and quotidian correspondences. Küçük and Örgen focus on what happens once the sign is crossed, concentrating on the physical, emotional, and ethical layers of these areas in which what is seen is deemed inappropriate, transgressing the borders of work safety, and exposing critical information.

Photography: Kayhan Kaygusuz